When was the last time you were genuinely excited over a network TV show? Some might point to the season finale of Heroes but after it aired many were disappointed in the ending, saving New York isn’t really saving the world now is it?
The ratings on the big four networks have been steadily declining since the beginning of the century, thankfully other networks have picked up the ball, those include The Discovery Channel, Science Channel, and of course HBO. But to be honest HBO has been kind of in a funk of late with The Sopranos going arty, Curb Your Enthusiasm retreading old material, and Entourage forgetting it’s actually a comedy.
The past few years viewers have been finding themselves in a place that most didn’t think they would ever end up and that is Showtime. First came Dead Like Me in 2003, that was so clever, dark, and surprisingly funny. It was a truly original premise and the casting was superb, however it was seemingly misunderstood and canceled after its second season. One of the mistakes might have been the short run of only five episodes for Rebecca Gayheart, she was fantastic, unfortunately her replacement wasn’t very likable and changed the tone of the series.
Next up was Huff, which was just as promising and at times very poignant. It had a very strong cast and its insight into what its really like to be or live with a psychologist and all the ramifications it can bring with it. The second season however ventured a tad overboard with plot lines that went to the extreme and went against what the characters were seemingly all about in the first twelve episodes. This being the Nip/Tuck effect. Good writing always beats out shocking and outrageous moments that give only momentary attention. Due to many of the things I just pointed out, it was also canceled after the second season.
Both of these shows being axed were puzzling, as it seemed as if Showtime was wasting opportunities to wedge a foot in the door in the original series department. They have always played a backseat to HBO and this was a prime example of why. Bad decisions can haunt a network for years and reputations begin to form that can have an adverse affect on the talent becoming gun shy about making a true and dedicated commitment to the material. It can also indicate that network management is meddling with the show and forcing changes to writing and direction instead of letting the show runners trust their visions.
Last year another show came onto my radar based on the books by Jeff Lindsay. The premise is a great twist on all the recent police forensic shows that are seemingly on at all hours of the day and night. However this forensic expert is a serial killer as well and focuses on the very people that have slipped under the justice systems radar.
This is not a show about body counts or which act is more horrendous than the other. It isn’t about headline grabbing ratings ploys, no it’s all about the story. The writing is key here and is all planned out well in advance, even the smallest nuances foreshadow darkness that had not yet been revealed.
The entire season of 12 hour long episodes are a stunning achievement in linear narrative. So perfect from beginning to end, one wonders how such a masterpiece was possible.
It provides hope for TV in general, that entertainment can be skewed to a decidedly adult viewer. That it doesn’t have to talk down to its audience to be successful and that subtle mannerism can say as much about a character than most anything else.
So no matter how much Heroes let its fans down, hope is on the horizon as the second season of a show that just might raise the bar on what others shows must strive for, comes back into our lives in October. Hopefully the release of the first season DVD on August 23rd will lesson the blow of having to wait five months to see what has become the finest show in television.
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